Description
Foreword by
Irene Schubiger, Texts by
Christoph Blase:
Making the ausio-visual of the 1970s visible,
Sabine Breitwieser:
RE-PLAY. Early media ar tin Austria: a history,
Wolfgang Ernst:
Time that adheres to media material. The knowledge to be gained from techno-archaeological hardware,
Christiane Fricke:
«We are at the heart of it». Four museum video collcections in Germany,
Johannes Gfeller:
The reference hardware pool of «AktiveArchive» at the Bern Universitiy of the Arts. A basis for a historically well-informed re-performance of media art, Christoph Lichtin:
The history of video art in Lucerne. Exhibitions, festivals, curators, artists,
Joanna Phillips:
The reconstruction of video art. A fine line between authorized re-performance and historically informed intepretation,
René Pulver /
Sibylle Omlin:
Video, I see. Now. An artistic-curatorial view of the 1970s and 1980s,
Jochen Saueracker:
Intuition and Circuit. Re-installing Nam June Paik's video installations,
Irene Schubiger:
«La
vidéo, je m’en balance». The first twenty year of Swiss video art: artistic verve versus the intertia of art history, Gaby Wijers:
Strategies and case studies on the preservation of media art at the Netherlands Media Art Institute, Technische Dokumentation:
Johannes Gfeller / Agathe Jarczyk / Joanna
Phillips, Schriftliche Künstlerbefragung:
Agathe Jarczyk / Joanna
Phillips, Werktexte:
Irene Schubiger
[published on the occasion of the exhibition and the conference at Kunstmuseum Luzern, March–April 2008]
Einzelpublikation, 20 x 26 cm, 248 p., 255 b/w Abb., paperback, CHF 60.-, Zürich: SIK-ISEA / Zürich: jrp/ringier, 2009